Novel by Andre Gide, published in French in as Les Faux-Monnayeurs. Constructed with a greater range and scope than his previous short fiction, The. The Counterfeiters, novel by AndrĂ© Gide, published in French in as Les Faux-Monnayeurs. Constructed with a greater range and scope than his previous . Complete summary of Andre Gide’s The Counterfeiters. eNotes plot summaries cover all the significant action of The Counterfeiters.

Author: Tojin Karamar
Country: Bahrain
Language: English (Spanish)
Genre: Spiritual
Published (Last): 25 February 2010
Pages: 341
PDF File Size: 19.56 Mb
ePub File Size: 16.39 Mb
ISBN: 383-9-68810-662-2
Downloads: 21295
Price: Free* [*Free Regsitration Required]
Uploader: Fenrijin

I later exonerated three of them and found four others guilty of sending coded messages without an encryption device. The reputation of the Faux-Monnayeurs is that it is an experimental novel that succeeds only where it is conventional. He meant by this that in conception, range, and scope it was on a vaster scale than his tales or his soties. In the inter-war that exploits this novel, we applaud a fair and exciting painting of the freedom of spirit, of creation, of artistic movement of that time when we caught our breath of a war passed and where the emotion was tending to fall back, where we were finally rebuilding, and where morals tend to be liberalized.

There are overtly homosexual characters, like the adolescent Olivier, and the adult writers Comte de Passavant and Eduoard. Again, I think this is an interesting and philosophical novel – it wove subtly complex webs across my mind. However, I agree with Forster in one respect: After a lecture devoted to illustrating his definition of plot as “a narrative of events, the emphasis falling on causality” 86Forster is still thinking of Gide’s new book and wonders whether a novel has to be premeditated.

Toklas just about ruled that town. This apparently hedonistic dictum is only superficially scandalous; the license given by “happiness” is withdrawn in advance by “God. Gide’s work can be seen as an investigation of freedom and empowerment in the face of moralistic and puritan constraints, and gravitates around his continuous effort to achieve intellectual honesty. In contrast to the Victorian clutter of drapes, knickknacks, pouffes, and sofas of Late Victorian sensibility and psychologizing, Gide’s novel feels airy and light, a book of springtime and summer.

Even though he first mentions the book in his lecture on character, what really fascinates Forster about the novel is its method of narration, which he finds as “illogical” as that of Bleak House but worse, because it is intentional:. Two characters stand out from the crowd, however, it is Lady Griffith and the Count of Passavant who seem to be the evil gods and manipulators of this story.


The Counterfeiters is a novel-within-a-novel, with Edouard the alter ego of Gide intending to write a book of the same title. But an excess is not an absence any more than omniscience can be partial.

The Counterfeiters by André Gide

The making of the novel, with letters, newspaper clippings and other supporting material, was documented by Gide in his Journal of The Counterfeiters. The proviso at the end about going “up hill” is equivalent to the earlier one about God. A fascinating novel of interlocking characters and their crisscrossing story lines that is widely considered a precursor of the nouveau roman. It is as if Forster were looking askance at Gallic deconstructive earnestness avant le faityet the book clearly fascinated him and, however grudgingly, he still wants to give Gide his due:.

What are the problems which will exercise the minds of to-morrow? A novel as much about writing as it is about coded homosexuality in ‘s France a time, lest we forget, that Gertrude Stein and Alice B. The supposed climax of the novel ends in a tragic denouement involving a seemingly secondary character. Supposedly he let the story flow naturally and yet I have a hard time imagining that he could have done so because there are so many little things that needed to happen to get to the end result.

I recommend it well before Catcher in the Rye. The journal is equally essential for another of Gide’s experiments, setting the novel in the present; for it is Edouard’s journal that enables Gide to present his background material in the present tense.

Characters tied and endearing. Some of the situations in the novel closely parallel those of the major novel of Gide’s good friend, Roger Martin du GardThe Thibaultswhich was published in installments beginning in Jan 09, Stephen rated it it was amazing.

It’s just not much of a story. No more logical, in the strict sense, is Forster’s statement that “at other times [the author’s] omniscience is partial.

In conclusion, it’s more of a “slice of life” narrative rather than counterfiters novel, and although Gide has moments of clever insights, in the end the story will likely leave the reader under-served. The setting must take place at least afterthe year in which the shipwreck of La Bourgogne occurred.


Though here, as always, Forster expresses himself in a tone of elegant common sense, it seems to me that, whether or not the charge sticks to Dickens and Gide, his own comments may be logically inadequate. Gide became more politically active in later life.

The Counterfeiters

Si je me retourne vers moi, je cesse de comprendre ce que ce mot veut dire. Let there be those “formidable erosions of contour” of which Nietzsche speaks. But the transitional nature of the story is interesting.

Internet URLs are the best. Edouard, a kind of stand-in for Gide, is Olivier’s “uncle” through marriageand in the loss of his beloved nephew opts instead of his schoolfriend A novel as much about writing as it is about coded homosexuality in ‘s France a time, lest we forget, that Gertrude Stein and Alice B. How deliberately he went about this we can see from his journal:. What makes all this possible is the role of Edouard, the novelist who is pin in the pinwheel.

Eventually, Bernard and Edouard decide they do not fit as well together as anticipated, and Bernard leaves to take a job at a school, then finally decides to return to his father’s home. Gide wanted to write a post-Nietzschean novel in which god-like omniscience was dead because he had killed it.

Maybe I can’t fathom it because when I write I need to pre-plan most every important thing Bernard does go up hill in the book, literally so in the Alps.

The Great Gatsby came out in ! His political activity is informed by the same ethos, as suggested by his initial attraction to communismfollowed by his repudiation after his voyage to the USSRfor which he was ostracized by many of his suddenly former friends.

Overall I do recommend it a lot I think although, and the characters employ this very expression in the book to talk about one of the writer’s book countrfeiters you follow me there because I think I lose myself in the bookception? One of causes of the openness achieved by the novel is the sense that the characters are pursuing their lives outside our ken.

But I’m not sure what other translations are like. It is for them that I desire to counyerfeiters.